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Book Review & Contest Insights from Real Reviews and Submissions
What separates great books from the rest? Below are articles with insights from real reviews and contest submissions—what works, what doesn’t, and how to improve your book. You’ll also find a wide range of articles covering writing, publishing, marketing, and more. Each article has a Comments section so you can read advice from other authors and leave your own.
Why Some Books Win Awards (And Most Don’t) — Insights From Real Contest Submissions
What separates award-winning books from the rest? After evaluating contest submissions across a wide range of genres, certain patterns become clear. Some books consistently rise to the top. Others, even with strong ideas and clear effort behind them, fall short. The difference is rarely dramatic—it...
What We’ve Learned From Reviewing Hundreds of Thousands of Books (And Why Most Don’t Stand Out)
After reviewing and evaluating books across thousands of submissions over the past two decades, certain patterns become impossible to ignore. Some books immediately stand out to reviewers. Others—even well-intentioned ones—fade into the middle or fall short. The difference is rarely luck. It comes down to...
An MBA and a PhD Don't Mean Anything Without an F-N-B
FNB stands for “Finished Novel, Baby,” and yes, I made it up myself. It sounds like a qualification, which is exactly why I like it. We have become excellent at treating credentials as evidence that somebody is ready to begin. For an independent novelist, the most persuasive evidence is a completed manuscript sitting on the desk.
The Diploma Can Wait
I have enormous respect for anyone who pursues an advanced degree. Graduate study can sharpen your thinking through sustained attention to demanding materials. An MBA might help an author understand the economics of publishing. A doctorate might equip a historical novelist to approach archival material with uncommon familiarity. Those are useful foundations for somebody who already wants to write.
Here is the question I would ask across the table, though. How many chapters have you actually put down in writing? That answer gives us the best possible picture of your commitment to the craft. Fiction develops through decisions made inside actual scenes, where a character must do something believable. An author discovers what works by returning to those scenes repeatedly. The stubborn habit of revising after a long working day eventually becomes part of the writer’s professional education. The manuscript itself becomes a record of lessons learned through practice.
The Business of Being an Indie Author
Now suppose you want writing novels to become your full-time job. That ambition deserves the seriousness you would give any business. You are creating a product that readers will eventually pay to enjoy. Once the manuscript exists, you have something concrete to improve before publication. You can work with an editor who understands your genre. You can choose a cover that promises readers the experience your story delivers.
Then comes the part that can surprise a talented new novelist. Readers have to discover that the book exists in the first place. A writer can learn how readers find books through direct experimentation. The results teach valuable lessons about presentation with every release. Income becomes sustainable through readers returning because they enjoyed the earlier work.
A degree may make some of that commercial learning easier. Experience still comes from putting a real book before real readers. Full-time independence usually takes continued production and a practical financial plan. An FNB makes that plan possible because there is finally something to sell.
What Finishing Really Proves
Finishing a novel takes a particular kind of commitment that readers eventually recognize. It means showing up while yesterday’s brilliant idea is behaving badly. It means deciding how the story should move when enthusiasm fades. It means revising until the manuscript can stand on its own. That work gives an indie author proof of persistence through a manuscript that readers can finally hold.
So here is my proposed addition to the alphabet of qualifications. Put FNB beside those grand academic letters when discussing a novelist’s career, even if it's just in your head. It represents the daily accumulation of effort that transforms an idea into a book. And if you want to make your living telling stories, that finished novel is where the conversation about becoming a professional finally gets interesting.
Written by Readers’ Favorite Reviewer Jamie Michele