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Book Review & Contest Insights from Real Reviews and Submissions

What separates great books from the rest? Below are articles with insights from real reviews and contest submissions—what works, what doesn’t, and how to improve your book. You’ll also find a wide range of articles covering writing, publishing, marketing, and more. Each article has a Comments section so you can read advice from other authors and leave your own.

Why Some Books Win Awards (And Most Don’t) — Insights From Real Contest Submissions

What separates award-winning books from the rest? After evaluating contest submissions across a wide range of genres, certain patterns become clear. Some books consistently rise to the top. Others, even with strong ideas and clear effort behind them, fall short. The difference is rarely dramatic—it...

What We’ve Learned From Reviewing Hundreds of Thousands of Books (And Why Most Don’t Stand Out)

After reviewing and evaluating books across thousands of submissions over the past two decades, certain patterns become impossible to ignore. Some books immediately stand out to reviewers. Others—even well-intentioned ones—fade into the middle or fall short. The difference is rarely luck. It comes down to...

Future Slang Without Making Readers Cringe

Have you ever read a sci-fi novel where a character says something like "That's totally quantum, bro," and immediately felt the future disappear?

Future slang is one of those details that can make a world feel incredibly lived-in or painfully artificial. The problem is that writers often try too hard to make language futuristic. They invent twenty new words, throw them into every conversation, and hope readers mistake confusion for worldbuilding. The better approach is to remember that slang is not created to sound futuristic. It is created because people are lazy, playful, rebellious, or trying to belong.

Let's break down how to make future slang feel like something people actually invented.

Start With What People Need to Say Quickly

Real slang usually develops because people need a shorter, funnier, or more expressive way to describe something they encounter repeatedly.

Your future should work the same way. If people regularly travel through teleportation gates, they probably won't keep saying "the interplanetary matter-transference portal." They'll shorten it. Maybe it's a "gate," a "jump," or something even stranger that developed naturally over time. The important part is that the word should solve a linguistic problem rather than exist purely because it sounds futuristic.

Anthony Burgess understood this in A Clockwork Orange. Nadsat isn't simply a collection of strange words thrown into dialogue to make the world feel alien. Its vocabulary blends English with Russian and other influences, creating a language that feels like it developed among a particular youth culture.

Change the Language, Not Just the Nouns

One of the easiest mistakes is inventing futuristic names for ordinary things. "Skycar." "Neuro-phone." "Holo-room." These words tell readers what an object is, but they don't necessarily tell them how people feel about it. Real slang often changes the emotional meaning of a word. Something can become an insult, a compliment, or a joke depending on who says it.

Imagine a future where people can back up their memories. Maybe someone who constantly changes their personality through memory editing is called a "wipe." Maybe someone who refuses to delete painful memories is considered "heavy."

Now the language is revealing culture, not just technology. That distinction matters because readers should learn how people think about technology through their slang, not simply what technology exists.

Let Different Groups Speak Differently

A believable future shouldn't have one universal slang dictionary. Teenagers should sound different from soldiers. Corporate executives should sound different from asteroid miners. People born on Mars should have different linguistic habits from people who arrived last year.

The Expanse does this particularly well through its use of Belter Creole. The language reflects the cultural mixing and isolation of people who grew up across the Belt, drawing from multiple real-world languages rather than simply adding futuristic vocabulary to English.

That is the lesson to steal: slang should have a community behind it. Ask who invented the word, who adopted it, and who refuses to use it. That history makes even a single expression feel like it belongs somewhere.

Don't Explain Every Slang Word

This is where many writers accidentally kill their own invention. A character says, "You're such a dusthead." Another character responds, "What does dusthead mean?" Then the first character explains it. Now the slang sounds like a vocabulary lesson.

Readers are perfectly capable of figuring things out from context. If someone says, "Don't trust him. He's a dusthead," readers will understand that it probably isn't a compliment. Give them enough context to understand the emotional meaning and let the exact definition remain slightly fuzzy. Slang becomes believable when characters use it without realizing anyone needs an explanation.

Let Old Words Survive

The future doesn't automatically erase the past. People today still say things like "hang up," "dial," and "rewind," even when the technology behind those words has changed or disappeared. Language carries old technology long after the technology itself becomes irrelevant.

Your future should do the same. A civilization with instant communication might still tell someone to "call" them. People who haven't seen an actual newspaper in generations might still describe bad news as "front-page stuff." These linguistic fossils can make a future feel more authentic than a page full of invented vocabulary.

Final Thought

Future slang works best when readers can imagine someone inventing it. Don't ask, "What words would make this sound like the year 2400?" Ask, "What would people who live here get tired of saying, make fun of, shorten, steal, or turn into an insult?"

That's where believable language comes from. The future shouldn't sound futuristic. It should sound like ordinary people talking in a world that happens to be strange.

Written by Readers’ Favorite Reviewer Manik Chaturmutha