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Book Review & Contest Insights from Real Reviews and Submissions
What separates great books from the rest? Below are articles with insights from real reviews and contest submissions—what works, what doesn’t, and how to improve your book. You’ll also find a wide range of articles covering writing, publishing, marketing, and more. Each article has a Comments section so you can read advice from other authors and leave your own.
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What We’ve Learned From Reviewing Hundreds of Thousands of Books (And Why Most Don’t Stand Out)
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Give Your Hero One Completely Unheroic Fear
Here's a simple way to make a heroic character feel human: give them a fear they would be embarrassed to admit. Not fear of death. Not fear of failure. Not fear of losing the person they love.
Give your fearless warrior a fear of pigeons. Give your brilliant detective a fear of public speaking. Give your superhero an irrational hatred of needles. Give your hardened soldier a genuine panic response to elevators. The trick is making the fear completely unrelated to the danger your hero is normally built to handle.
Let's break down why this works.
Make the Fear Surprisingly Small
A hero who fears something obviously dangerous isn't particularly revealing. Everyone understands why someone would be afraid of being tortured or killed. The interesting fears are the ones that seem absurd compared with what the character normally faces.
Indiana Jones is famously afraid of snakes. It works because he is otherwise willing to face traps, Nazis, gunfights, and ancient supernatural forces without hesitation. The fear doesn't make him less brave. It gives his bravery a strange, specific boundary. That contrast is what makes the fear memorable.
Your hero can stare down a dragon and still refuse to enter a room containing a harmless spider.
Don't Explain It Too Much
A completely irrational fear becomes less funny and less revealing if you immediately explain its origin.
Maybe your hero doesn't know why they hate elevators. Maybe they simply do.
Let other characters tease them about it. Let the hero become defensive. Let them insist that the fear is perfectly reasonable while everyone else clearly disagrees. The lack of explanation can actually make the character feel more real.
People don't always have neat psychological reasons for their irrational fears. Sometimes they just hate something.
Use It to Interrupt Their Competence
The best time to reveal an unheroic fear is when your character is otherwise completely capable.
Imagine a spy who can infiltrate a heavily guarded building without blinking but freezes when someone asks them to sing karaoke. Or a fantasy knight who charges into battle against an army but becomes visibly uncomfortable around horses. These moments work because they briefly knock the character off the pedestal.
In The Lord of the Rings, even Aragorn's heroic presence is balanced by ordinary moments of discomfort, exhaustion, and uncertainty. Characters become more convincing when their competence isn't universal.
A hero shouldn't be good at everything.
Let Other Characters Notice
An irrational fear becomes even more useful when someone else discovers it.
The intimidating captain suddenly panics around dogs. Their crew sees it. Now the person everyone respects has accidentally become the subject of everyone's favourite story. That can create humor, affection, or even intimacy.
A romantic partner might find the fear adorable. A rival might exploit it. A child might completely fail to understand why the terrifying hero is afraid of something harmless. Small vulnerabilities create relationships because they give other characters something to react to.
Don't Turn It Into a Running Gag
The fear should reveal character, not become a joke repeated every few chapters.
Use it sparingly.
The first time, readers laugh. The second time, they understand it. The third time, it can mean something more.
Maybe the hero finally confronts the fear when the situation requires it. Not because they have magically overcome it, but because something more important has become worth being afraid for. That turns a funny character detail into a small moment of courage.
Make Them Brave Anyway
This is the most important part. The point isn't to make your hero less heroic. It's to show that courage isn't the absence of fear.
Your hero can still hate heights and climb the tower. They can still fear needles and get the injection. They can still panic around dogs and rescue a child from one. The fear makes the heroic choice more meaningful because the character isn't fearless.
They're choosing to act despite being afraid.
Final Thought
Perfect heroes are difficult to believe in because perfection leaves very little room for personality. Give your hero one ridiculous fear. Something small enough to be embarrassing, specific enough to be memorable, and irrational enough that even they can't properly defend it.
Let them face armies while secretly dreading the dentist. Because sometimes the easiest way to make a hero feel larger than life is to remind readers that, underneath all that courage, they're still a person.
Written by Readers’ Favorite Reviewer Manik Chaturmutha