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Book Review & Contest Insights from Real Reviews and Submissions
What separates great books from the rest? Below are articles with insights from real reviews and contest submissions—what works, what doesn’t, and how to improve your book. You’ll also find a wide range of articles covering writing, publishing, marketing, and more. Each article has a Comments section so you can read advice from other authors and leave your own.
Why Some Books Win Awards (And Most Don’t) — Insights From Real Contest Submissions New!
What separates award-winning books from the rest? After evaluating contest submissions across a wide range of genres, certain patterns become clear. Some books consistently rise to the top. Others, even with strong ideas and clear effort behind them, fall short. The difference is rarely dramatic—it...
What We’ve Learned From Reviewing Hundreds of Thousands of Books (And Why Most Don’t Stand Out) New!
After reviewing and evaluating books across thousands of submissions over the past two decades, certain patterns become impossible to ignore. Some books immediately stand out to reviewers. Others—even well-intentioned ones—fade into the middle or fall short. The difference is rarely luck. It comes down to...
How to Write a Good Female Character.
A good female character is tough to write. Writers, especially males, frequently get them wrong. There is a fixed mold that a female character should be caring, loving, and forgiving. And these traits usually make the character bland. While writing a good and compelling female character, we need to keep several things in mind. Here are a few points a writer can look out for a while crafting a female character.
Stay away from stereotypes:
There are several stereotypes about a female character in the literary world. A few examples of such stereotypes are Mary Sue, the damsel in distress, manic pixie dream girl, and many more. Writers should stay far away from them.
Emotional depth:
The female character should have a well-developed emotional depth. A character who is sensitive can be stubborn and headstrong. A character who's tough can have a softer side. There is no need to have a character with a single emotion. The characters can have a spectrum of emotions. It will make them more human rather than a fantasy.
Personality and flaws:
Taking Bella Swan from Twilight, we can see that her whole personality revolved around Edward. She had no significant personality on her own. That is where her character fails, and it happens with so many female characters. Their whole characteristic revolves around the male character. A female character needs a fully-fledged personality and should stand on her own. The writers should give them hobbies and quirks apart from the male character. Additionally, they should also have flaws. A flaw is what makes us humans. A flaw is what makes a character relatable and real. Elizabeth Bennet from Pride and Prejudice is a perfect example of a well-written female character. She was intelligent, headstrong, but she was also prejudicious. Her character had both positive and negative aspects, and that is why we love her.
Character development:
A well-written character should have good character development. It shows the growth of a character and creates a lasting impression. Everyone learns from mistakes; why not the characters? Taking Elizabeth's example, at the end of her character development, she was much less prejudiced.
Female friendships:
There is a harmful narrative prevalent in our society, and that is, a woman is also another woman's enemy. It channels into the literary field too. Every other female character tries to pull the main character down. Even the friendships written are toxic. If we compare the male friendships in stories with the female ones, we can see the stark difference. Male friendships are celebrated far more than female ones. It creates a harmful mindset for young girls who consume these stories. We need good female secondary characters in the literary world. Keeping that in mind while writing female characters is important.
Diversity:
The female characters are, dominantly, written as thin and petite. They have tiny waists, they eat less, and are light-skinned. There is a lack of representation of other female characters, especially heavier, disabled, or dark-skinned. The narrative of conventional beauty it creates can impact every young mind. Hence, the female character should be much more than petite and thin.
Writing a female character is uncomplicated when we make them human. A realistic female character has a well-developed personality with flaws and can come in any shape or size.
Written by Readers’ Favorite Reviewer Manik Chaturmutha