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Book Review & Contest Insights from Real Reviews and Submissions
What separates great books from the rest? Below are articles with insights from real reviews and contest submissions—what works, what doesn’t, and how to improve your book. You’ll also find a wide range of articles covering writing, publishing, marketing, and more. Each article has a Comments section so you can read advice from other authors and leave your own.
Leave It For The Copyeditor? Fix it Yourself! Part 3
Two more tips and your manuscript is ready for an editor.
Ditch the Prepositions
Prepositions are used for relationships between words and when you use too many, your writing becomes weak, unconcise and non-specific. Some of the common prepositions include:
About
After
Against
At
Before
Behind
Beneath
Except
From
In
Into
Like
Of
Since
Too
Toward/s
You get the idea.
Look through a few manuscript pages. Can you see these words in longer text strings? Can you see a lot of smaller word, less than four letters? There’s a good chance that you need to start chopping to make your manuscript easier to read. Plus you’ll have more room to use strong descriptive words instead. It might help you to read aloud – prepositions are what make readers stumble.
Also look for phrases consisting of multiple prepositions – “in spite of”, “in front of”, “according to”, for example. These add nothing but extra words and muddy up your story.
Remember – a preposition will always get an object that can be turned around.
Prepositional phrase – The manager of the store
Rewritten – The store manager
Prepositional phrases can normally be replaced with much better word choices:
Prepositional Phrase – He came down with flu because it was going around at his workplace
Rewritten – He got the same flu that his work colleagues had.
Filter out the filter words
Filter words put up a barrier between a character and their perceptions, feelings, and thoughts. They also add unnecessarily to your word count, forcing your readers to focus on those rather than what’s going on.
Some of the common filter words are “know”, “feel”, “hear”, and “see” but there are loads of others. Your readers don’t need to be told that your character “feels”, “sees”, “hears”, or “knows” – they want you to get to the point.
Filter Word – He realized that he’d never feel the same again
Rewritten – He’d never feel the same again
Filter Word – She heard a strange noise at the door and woke up
Rewritten – A strange noise at the door woke her
Filter Word – She felt as though she would never love again
Rewritten – She would never love again
Filter words can be useful when you need to focus on a character’s experience. For example, this is fine – As the pain gradually subsided, he felt the whisper of a breeze against his skin.
Look through your manuscript and see how often the following words appear. Then decide if the context allows them to be changed:
Able to (he was able to)
Decide
Experience (he/she experienced something)
Feel
Hear
Know
Note (she noted that)
Notice
Realize
Remember
See
Seem
Sounded like
Think
Watch
Wonder
Work on these common problems and your manuscript will be miles better. That doesn’t mean you shouldn’t hire a professional copyeditor before you publish or look for an agent but it won't cost you so much. Your work will already be clean and that is generally cheaper because a copyeditor won't have so much to do. It isn’t wise to skip hiring a professional anyway but doing some of it yourself is an invaluable experience.
Written by Readers’ Favorite Reviewer Anne-Marie Reynolds
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