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Book Review & Contest Insights from Real Reviews and Submissions
What separates great books from the rest? Below are articles with insights from real reviews and contest submissions—what works, what doesn’t, and how to improve your book. You’ll also find a wide range of articles covering writing, publishing, marketing, and more. Each article has a Comments section so you can read advice from other authors and leave your own.
Why Some Books Win Awards (And Most Don’t) — Insights From Real Contest Submissions New!
What separates award-winning books from the rest? After evaluating contest submissions across a wide range of genres, certain patterns become clear. Some books consistently rise to the top. Others, even with strong ideas and clear effort behind them, fall short. The difference is rarely dramatic—it...
What We’ve Learned From Reviewing Hundreds of Thousands of Books (And Why Most Don’t Stand Out) New!
After reviewing and evaluating books across thousands of submissions over the past two decades, certain patterns become impossible to ignore. Some books immediately stand out to reviewers. Others—even well-intentioned ones—fade into the middle or fall short. The difference is rarely luck. It comes down to...
Top Ten Ways to Annoy A Literary Agent
Pitching for a literary agent is a tough job and it must be done right if you are to succeed. There is plenty of information available on how to approach an agent, on what they want to see and hear, but do you know how to annoy one? How to make sure that your work is rejected, and you never get another chance? Sadly, many authors do exactly this without realizing and then wonder why they are not getting anywhere. So, run your eyes over this list of 10 ways that you can very easily annoy a literary agent and scupper your chances of acceptance:
One
Starting your fiction novel with long and drawn-out descriptions of the scenery, the weather or a place. Agents don’t like a wealth of information right at the start of a story, and that includes long descriptions of a character or the backstory. It makes the story hard to get into and, to be frank, boring.
Two
Starting a book with a well-worn cliché. Just don’t do it; it's tacky and nobody likes to read them.
Three
Agents especially do not like you asking them for a fully detailed critique of your work or for a fully detailed and reasoned explanation of why they rejected you. They rejected you, that’s it. Period. They are not going to write you reams and reams to tell you why.
Four
Writing a query letter that shows you really have no clue. They also don’t like query letters that are bragging, groveling or show that you have no real professional know-how. No matter how good your work is, if your query letter doesn’t impress them, they won't even look at your book.
Five
Missed deadlines. If you promise to send an agent a synopsis of your book within 7 days, do it. If you can’t keep to that simple deadline, you have no chance of meeting the tougher ones the agent will impose on you.
Six
Agents really do not like those who want to be a proper “part of the process”, especially where the work is best left to a real professional. Writers write; they do not impose their ideas for the cover art onto their agent and they certainly should not be second-guessing the legal advice an agent provides on the contract. Integrating is one thing, provided it is in the right way; being a pain in the proverbial is quite another.
Seven
Sending a query letter with the wrong material. If the agent you choose represents the Horror genre, for example, don’t send them any work of a different genre. That will annoy them straight off the bat.
Eight
Don’t be a prima donna. If you are lucky enough to get a contract, be grateful for it but don’t turn into a high-maintenance author who thinks he or she has hit the big time already – you’ve a long way to go and you’re going to need help to get there.
Nine
Authors who use gimmicks to get noticed. Thinking about writing your query letter in a sparkly pen? You’ll get noticed all right, but not for the right reasons. Don’t use any gimmicks whatsoever; it isn’t professional.
Ten
Immature reactions to rejection. If you publicly talk down an agent because they rejected you, all you will do is destroy your reputation and you will never be seen as a professional writer.
Be polite, be courteous, be thankful, be professional.
Written by Readers’ Favorite Reviewer Anne-Marie Reynolds