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Reviewed by Christian Sia for Readers' Favorite
In Dreas Zidn’s The Snake Biting Its Own Tail, a woman wakes up tied to a metal bed, plagued by a dream of killing her own mother. A man wakes up naked in a white room and relives the same thirty minutes nonstop. The man and the woman have no memories of their pasts and do not remember their names. They manage to break out of the strange gray building called Hope Hospital, where no one ever leaves or enters. Now working together, they try to dig into their pasts, and the only clues they have are the numbers tattooed on the man’s hand, a corrupt accountant, hidden cash, and a dangerous nightclub. Every answer they get in this quest opens a door to something even darker. The subplot follows a detective tracking a serial killer who butchers sex offenders across the city. As each layer is peeled back, the truth becomes uglier: the woman has secrets of her own, and the man’s past is far worse than he feared.
Dreas Zidn’s novel is intricately plotted, and the threads are pulled together by greed and revenge to reveal The Snake Biting Its Own Tail. The narrative voice suits this kind of story: blunt and unapologetically raw. The story is fast-paced and emotionally disturbing, with sudden bursts of violence you never see coming. The setting is finely drawn, and the author captures every grim aspect of it, from the hospital that feels like a fortress, a coffee shop basement, a rainy alley, and the glitzy illegal club. The characters are patiently crafted, especially the woman, whose arc unravels slowly and deliberately to reveal something explosive. The setting is the most powerful tool for foreboding, always suggesting the dark activities taking place or foreshadowing what might happen. This well-plotted story examines memory, revenge, and whether a person can escape who they once were. It is often cruel and suspenseful, and the last page rewards the wait.