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Reviewed by Anne-Marie Reynolds for Readers' Favorite
Say Something by Carl Lakeland is set in suburban Melbourne, where a widower who has lost both his teenage daughter and his wife has stopped speaking. He lives behind closed blinds, locks his front door in the same order every night, eats pre-packaged meals, and communicates only by typing on his phone. Then his hot water system breaks down, and the plumber who comes to fix it notices that something isn’t right. That sets off a chain of events: a police welfare check, a community nurse called Jenny who refuses to be put off, and a psychologist who sits with him in silence and suggests he try writing. Words he can’t say out loud start finding their way onto the screen, but is he ready for what they bring up?
Say Something by Carl Lakeland is a quiet, moving novel that stayed with me long after I’d finished it. The opening chapters are claustrophobic, built from small routines like the three locks on the front door, the microwave countdown, and the blinds that never open, and you can feel how small the narrator’s world has become. The pace is slow at first, matching his stuck life, then picks up as the writing, a tentative romance, and a break-in bring real tension, and a scene in a cinema hit me hard. What surprised me most is the humor. It’s dry, very Australian and often at the narrator’s own expense, so the story never turns bleak, and it makes the sadder moments feel more honest. The writing is plain and restrained, with short sentences and close attention to everyday detail, and there’s very little spoken dialogue, which suits the story perfectly. It also shows how much it can matter when a stranger notices someone is struggling, which feels very true to life. The author draws on his own experience, and you can tell in how honest the grief feels. If you enjoy heartfelt stories about loss and recovery, with a gentle sense of humor, this is well worth reading.