A Brief History of Classical Music

A Tale of Time, Tonality and Timbre

Non-Fiction - Music/Entertainment
318 Pages
Reviewed on 08/29/2017
Buy on Amazon

This author participates in the Readers' Favorite Free Book Program, which is open to all readers and is completely free. The author will provide you with a free copy of their book in exchange for an honest review. You and the author will discuss what sites you will post your review to and what kind of copy of the book you would like to receive (eBook, PDF, Word, paperback, etc.). To begin, click the purple email icon to send this author a private email.

This author participates in the Readers' Favorite Book Review Exchange Program, which is open to all authors and is completely free. Simply put, you agree to provide an honest review an author's book in exchange for the author doing the same for you. What sites your reviews are posted on (B&N, Amazon, etc.) and whether you send digital (eBook, PDF, Word, etc.) or hard copies of your books to each other for review is up to you. To begin, click the purple email icon to send this author a private email, and be sure to describe your book or include a link to your Readers' Favorite review page or Amazon page.

This author participates in the Readers' Favorite Book Donation Program, which was created to help nonprofit and charitable organizations (schools, libraries, convalescent homes, soldier donation programs, etc.) by providing them with free books and to help authors garner more exposure for their work. This author is willing to donate free copies of their book in exchange for reviews (if circumstances allow) and the knowledge that their book is being read and enjoyed. To begin, click the purple email icon to send this author a private email. Be sure to tell the author who you are, what organization you are with, how many books you need, how they will be used, and the number of reviews, if any, you would be able to provide.

    Book Review

Reviewed by Emily-Jane Hills Orford for Readers' Favorite

What is music? The definition of this art form has dominated the study of music for centuries, but perhaps in its simplest form music is an organization of sounds which comprise time, tonality, and timbre. Taking these three concepts into consideration, one can delve more deeply into multiple variations. Time exists in historical time, measured time, beating time, repetition, duration, direction, and synchronicity. Tonality and timbre are relative to the historical time, as much as the other qualities of musical time relate. For example, as musicologist Arthur Wenk writes, “In contrast to the almost monolithic quality of time in a movement of Baroque music, music in the Classical Period takes a much more playful attitude toward music time.” This becomes evident in the extended use of a melodic motif and even its repetition, not just in the main key, but also in relative keys as well, changing the tonality but not necessarily the melodic motif, although Classical composers also like to play around with the melodic motif, changing it by inverting it, playing it backwards, or just presenting fragments of the motif as if teasing the listening audience.

Arthur Wenk’s A Brief History of Classical Music: A Tale of Time, Tonality and Timbre takes a huge topic, music history, and provides a unique approach to musical appreciation and comprehension. He begins his study with a thesis of his intent and then continues with the simple music of the Greeks, moving through the Middle Ages into the Renaissance, the Baroque, the Classical Era, the Romantics and the twentieth century. He chooses a few composers from each era to present his point about time, tonality and timbre, and discusses some of the highlights of each era that affect not only the development of music, but also all the creative art forms. Each composer discussed is attached to a specific composition that supports the author’s thesis. Each historical time period concludes with a concise summary.

And, for those who have minimal or no understanding of musical terminology, there is a thorough discussion of music theory at the end of the text, complete with terms and definitions. The book is well sourced and thorough, and even though the author chose only a few composers for each era, his thesis is well defined at each step of his discussion so that further study of other composers in each era can be similarly discussed. In the same way that Alan Gowans of the University of Victoria defended, in the 1980s, the need to study history in art as opposed to the history of art, musicologist Arthur Wenk has presented a need to study, understand and appreciate history in music as it relates to all its vital components of time, tonality and timbre. A unique approach. Well presented. As a retired music teacher and musicologist, I thoroughly enjoyed this read.

Jamie Michele

A Brief History of Classical Music by Arthur Wenk traces the evolution of Western classical music from its roots in ancient Greek culture to the modern era. Wenk speaks on the importance of music in ancient Greece, where philosophers like Plato and Aristotle acknowledged its influence. He covers the development of polyphonic music during the Middle Ages, the harmonic shifts of the Renaissance, and the emergence of Baroque music with its focus on tonal harmony. The Classical period saw the refinement of musical forms by composers like Haydn and Mozart, while Beethoven expanded musical boundaries. The Romantic era introduced chromatic harmony and emotional expression, exemplified by composers like Schubert and Berlioz. Finally, the 20th century saw the breakdown of traditional tonal structures with composers like Debussy, Schoenberg, and Stravinsky shaping modern music through experimentation with harmony, rhythm, and timbre.

Arthur Wenk’s A Brief History of Classical Music is a spectacularly informative and comprehensive guide that stands out for its clarity and precision, offering readers a lucid approach to the vast landscape of classical music. Wenk’s writing style is direct and thorough, making a subject matter that can sometimes be complicated into an easily accessible format, without sacrificing depth. He avoids overwhelming the reader with jargon, instead creating a narrative that allows even those without an extensive musical background, such as myself, to engage with the material. Having moved to Europe from the States, the latter being a country where classical music is perceived to be for the upper classes, Wenk's guidance has given me a much better understanding and appreciation for what is, in England, a style of music I frequently enjoy. Wenk avoids dry academic language, making the book feel more like a conversation than a lecture. It’s a satisfying read for music lovers and newcomers, offering balanced, intellectual discourse on every page.

Leonard Smuts

Music is more than just entertainment. It is an art form that concerns the relationship between sounds and their impact on the listener and performer. It has both form and structure. It also involves the frequencies of the notes, as well as the timing and cycles that make up any musical composition, long or short. Music has evolved, along with musical instruments themselves, and the many styles of composition. Arthur Wenk evaluates these topics and many more in A Brief History of Classical Music. The author defines classical music and describes its history and ancient origins, with some mathematics from Pythagoras included as a background. This work explores 6 major periods: Medieval, Renaissance, Baroque, Classical, Romantic, and Modern. This encompasses a selection of 24 works, each by a well-known composer, with 4 from each period. In each case, the music is analyzed in detail, with interesting insights into what made a particular piece special. The music described is now in the public domain and easily accessible. The reader is prompted as to what to listen for in terms of time, tonality, and timbre. The role of music in culture and entertainment is highlighted, while the relationship between music, religion, folklore, nature, and literature is also explored, along with genres such as opera, choral music, and ballet.

A Brief History of Classical Music covers a time frame that the author refers to as the common practice period, which roughly spans the years 1600 to 1900. This was followed by the modern era, during which music became increasingly complex and musical instruments evolved as well. The twentieth century introduced digital recording and electronically generated output. This allowed for the redefining of established parameters, pushing boundaries, and enhancing creative options. The text is, of necessity, technical, and some knowledge of music, its theory, and notation, is advised for potential readers. It is nevertheless an informative and entertaining work, packed with detail, historical background, and interesting anecdotes. Arthur Wenk has researched his subject meticulously. The writing is clear and makes the history of classical music accessible to a wide audience. The book is beautifully illustrated. Notes on the way that music is written and how it evolved are included. It is rounded off with an excellent glossary and a primer on musical theory, a repertoire, and an extensive bibliography. It will be a treat for music lovers and is highly recommended.

Carol Thompson

Arthur Wenk’s A Brief History of Classical Music: A Tale of Time, Tonality and Timbre presents a structured journey through the evolution of Western classical music, anchored by the fundamental concepts of time, tonality, and timbre. The introduction is practical in setting the intellectual tone of the book. Wenk contextualizes music as a “chronologic art,” using comparisons to Euclid’s geometry and Pythagoras’s musical ratios to demonstrate how our assumptions about time and pitch shape musical eras. This theoretical grounding helps readers understand why Gregorian chant differs drastically from Stravinsky or Steve Reich. Wenk’s treatment of time ranges from historical chronology to compositional structure, while tonality and timbre are evolving organizing principles that mirror cultural and technological change.

Each chapter includes historical background, notable composers, and representative works, offering enough technical depth for students and musicians without alienating general readers. His attention to changes in notation, rhythm, and form shows how practical concerns often drove artistic transformation. Arthur Wenk occasionally interjects anecdotes or observations about pedagogy and invites the reader to listen, reflect, and appreciate, rather than just absorb facts. The narrative sometimes leans more toward theoretical exposition than storytelling, which may feel abstract to readers unfamiliar with music theory. Even though the glossary and primer help, those without a background in music might find sections, particularly on isorhythm or modal theory, a bit complex. A Brief History of Classical Music is ideal for readers seeking a thoughtful introduction to classical music that goes beyond names and dates. It offers a narrative arc to the development of Western art music. Those interested in or familiar with classical music will find it engaging.