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Reviewed by Carol Thompson for Readers' Favorite
Runtime: Iggy’s Final Cut by Keith Jefferds opens in 1959, with Ignatius “Iggy” Smart speeding through Los Angeles in his convertible, trying to outrun both illness and memory. A successful Hollywood director, Iggy is developing an ambitious monster film at WAKK Studios while quietly managing a grave medical diagnosis and the lingering grief of personal loss. The narrative moves fluidly between eras, tracing Iggy’s origins as Prince Igor Yurievich Smertyov, a child forced to flee Petrograd during the Russian Revolution. Alongside his aristocratic family, young Igor escapes through Crimea into exile across Europe, absorbing upheaval, displacement, and the slow collapse of a world built on titles and tradition. The novel follows Iggy’s struggle to complete a bold creature feature that may define his career. Decades later, a restored screening reframes his artistic legacy, prompting a reconsideration of ambition, authorship, and the line between accident and intention.
Keith Jefferds writes with a confident style that mirrors film editing. Chapters cut between Russia, France, wartime service, and mid-century Los Angeles with purpose, letting visual echoes and emotional parallels carry across decades. Historical detail is woven seamlessly into the narrative, from the textures of imperial society to the inner workings of a modest yet determined movie studio. Dialogue in the Hollywood sections is sharp, capturing studio politics and creative negotiation, while the earlier European passages unfold with lyricism and careful observation. Jefferds balances intimate family scenes with broader cultural shifts, giving equal weight to personal anxieties and public spectacle. Those drawn to stories about filmmaking, exile, and the cost of artistic ambition will find in Runtime a thoughtful portrait of a man shaped by both history and imagination. Jefferds writes so masterfully, and without question, he’s the next John Irving.