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Reviewed by Asher Syed for Readers' Favorite
In Lance Jepsen's The Last Orbit, Nicole Gordon survives by salvaging wreckage from the dangerous debris fields that orbit Earth. Her mode of transport is the deteriorating banger of a vessel, Tethys. During a routine recovery operation, she discovers the ASV Mnemosyne, a missing arkship officially erased from corporate history. Inside are thousands of passengers who are sealed in stasis, and who all vanished decades earlier during the rise of corporate rule. When Nicole revives historian Alton Virek, dormant security systems activate and expose her location to Sentinel, the artificial intelligence overseeing corporate enforcement operations. Pursued through hidden stations, collapsing debris corridors, and abandoned sectors beyond normal surveillance routes, Nicole finds evidence connecting the arkship program to systematic disappearances. As fragments of her own missing memories begin resurfacing, Nicole realizes her connection to the Mnemosyne may reach further into corporate operations than she ever understood.
In The Last Orbit, Lance Jepsen constructs a fantastic cislunar future, and while the title suggests a drifting ship of political targets erased from official history, it also cleverly applies to Nicole herself, and the former identity that still survives beneath years of neurological reconstruction. The orbital setting feels physically realistic in the visual descriptions, from the Mnemosyne when environmental systems begin failing throughout the arkship, to the image of thousands of suspended civilians inside the deteriorating orbital storage vaults. It is terrifically haunting. Nicole is a female lead who is capable and has plenty of grit, and I love how Jepsen plays the long game in recovering the memories. There's a twist there that transforms every earlier action. On the flip side, Quade is a believable antagonist, almost casually approaching mass erasure through administrative reasoning instead of cruelty. Readers who appreciate politically driven science fiction and institutional historical revisionism will enjoy this novel, as will traditionalists of archival mysteries and corporate dystopian futures. This covers basically everybody, including me, who is delighted to find Jepsen as a new author. Very highly recommended.