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Reviewed by Asher Syed for Readers' Favorite
In Naked Girl by Janna Brooke Wallack, Sienna “CeeCee” Jones and Siddharta “Siddhi” Jones live a life of complete insecurity. They are under the care, a term used quite loosely, of their dad, Jackson, who is their primary guardian since their mother is no longer alive. Their house in Florida is known colloquially as “Xandu,” and is a haven for the things two young children should not even know about, let alone have to live with on a daily basis. Violence and drugs, manipulation and sex, lack of food, and Jackson being the head of a cult are among some of the many things the kids grow up around. As the years go by and people filter through Xandu and the cult grows, the siblings learn to fend for themselves as much as possible, resorting to attempts at rehousing, education, and maneuvering through the storms to weather these to the best of their abilities.
“I had no substantive life plan. But wasn’t my one-way destitution the poetry of Xanadu?" The literary references and symbolism that Janna Brooke Wallack builds into Naked Girl really had me stepping back, knowing I was in for an intelligently entertaining ride. In this quote, we are looking into a full-circle moment of adulthood for Sienna, but in her childhood, we know that the choice to name the house "Xanadu" after Coleridge’s poem adds symbolic weight to the setting: themes of grandeur, decay, and the ephemeral nature of dreams and ambitions. The rugged elegance of Wallack's writing is everywhere, in which first-person accounts are both caustic and laden with style. I am reminded of Nell Zink's Nicotine in the chaotic nature of those who transit through the lives of Sienna and Siddhi, but with a panache that is singularly Wallack's. Very highly recommended.