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Reviewed by Ruffina Oserio for Readers' Favorite
In Harry Allen’s YA novel, Children of the Sun, Ra Eun Seo is a gifted singer in a poor North Korean town who dreams of performing at Pyongyang’s Festival of the Sun. She and her friends, the guilt-ridden Nari and the resourceful Min, stumble upon a banned radio that broadcasts South Korean music. Seo wins a trip to the capital but smuggles the radio with her. This leads to her arrest by the bloodthirsty Colonel Nam. A brutal interrogation forces her to betray her teacher, Madam Lim, and she is condemned to Camp 6, together with her friends, where they must face starvation, ideological torture, including the hanging of their teacher, Mr. Chi, and mining. They receive help from Old Man Park, a neighbor-turned-prisoner, and plan an elaborate escape. What can go wrong in their attempt at freedom?
Children of the Sun is a novel about human grit against the backdrop of a totalitarian system, and it delivers well-sculpted characters and pathos that tug at the reader’s heart. Seo’s voice is a combination of the fragile and the defiant; Nari feels the pain of forced betrayal; Min is the mental engine of the group; and Iseul is feral in innocence, calling the guards “crushers” and engaging in other mischievous acts. The meticulous worldbuilding allows readers to feel the oppressive air at Camp 6, the electrified fence, and the hollow concrete shells. Harry Allen uses premonition to create suspense and tension; you always have a feeling that something bad could happen any moment as the story progresses. Apart from the irresistible first-person narrative voice, the complex characters, and the elegant prose, this book delivers dystopia steeped in detail, where engineered confessions, self-criticism sessions, and personality cult underpin totalitarianism.