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Reviewed by Carol Thompson for Readers' Favorite
Lights Along the Interstate by Adam Fike is a compact yet expansive novella set along miles of a rumbling cross-country bus route. Through a cast of vividly imagined characters, Fike constructs a deeply human tapestry, with each thread weaving a new reflection on fate, memory, and the peculiar beauty of shared silence. Told in the present tense and devoid of quotation marks, the prose style reflects a unique narrative voice that feels observational and intimate. Characters are introduced not with backstory or exposition but through gesture, reaction, and rhythm, a genuinely engaging and unique reader experience. A retirement home runaway leans into a future untethered to age. A love-struck Devil trades damnation for diner coffee. A former priest jots questions instead of offering answers. The stories intersect, glance off one another, and occasionally stick, forming unexpected companionships in the liminal spaces of late-night travel.
Adam Fike’s style is quietly bold, blending a script-like structure reminiscent of Cole & Haag with literary ambition. His work is similar to that of Raymond Carver, Sam Shepard, and Lucia Berlin. Instead of distancing the reader, the lack of quotation marks allows each character’s voice to blur seamlessly into the narrator’s awareness, emphasizing the porousness of identity and narrative control. Moments of crisis, humor, grief, and wonder pass quickly, like towns glimpsed through a bus window, but they leave an imprint. The bus is a unifying metaphor, gathering an eclectic mix of seekers, fugitives, and philosophers on a collective yet fragmented journey. The driver’s simple wish for a good night’s sleep, tucked at the end, humbles the entire story into something ordinary and quietly spiritual. Fike writes with a foot in gritty realism and a hand stretched toward the cosmic. Lights Along the Interstate is for readers who enjoy finding meaning in bus rides, diners, messy notebooks, and moments that matter precisely because they’re almost missed.