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Reviewed by Olga Markova for Readers' Favorite
Dead Man’s Gospel by Reno Bachman is a riveting psychological Western that introduces us to Timothy Gospel, a man scarred by violence since his childhood and who then, as an adult, inflicted it. Timothy is on the run, seeking sanctuary in the hills and forests inhabited by Indigenous tribes and hermit communities. On his journey, he engages with a preacher’s voice in his mind. Parallel to Timothy’s adventures, Pinkerton private investigators are working on a lucrative contract. They are tasked with finding a black man with a gun. Struggling with limited information, they hire an Indigenous tracker. Are the Pinkertons looking for Timothy? And will Timothy find the sanctuary he craves?
Reno Bachman's Dead Man’s Gospel is praiseworthy for its psychological exploration of violence, mercy, repentance, forgiveness, faith, fear, grief, death, and survival. Timothy’s quest gripped me with its cinematically atmospheric and thought-provoking mental discourse between Timothy’s mind and the preacher’s voice in his head. Timothy’s and the Pinkertons’ travels made me wonder how many facets and driving forces violence can have. I thoroughly enjoyed how the scenes alternated, gradually reconstructing the story of Timothy’s life, the complete picture eventually coming together from disjointed fragments. It was also a rare story that made me root for the “villain” Timothy and fervently hope for the “do-gooder” Pinkertons to fail!
I listened to the audio version, and the duration was immensely satisfying. It was narrated by digital voice Quentin Ever-Ready, and I think it was the perfect fit for this story. I enjoyed the husky male timbre, the clear and distinct diction, the perfect pacing, and the top-quality recording. The musical composition at the end of the book was a special cherry on this tasty cake. If you like psychological thrillers and do not mind mild to moderate violence and sex that accentuate the key messages and morals of this story, this book will not disappoint you.