Not Finished Yet

Essays on the Rhythmic Beauty of a Life in Flux

Non-Fiction - Memoir
200 Pages
Reviewed on 05/06/2026
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    Book Review

Reviewed by Carol Thompson for Readers' Favorite

Not Finished Yet: Essays on the Rhythmic Beauty of a Life in Flux by Tracie Adams explores transformation, identity, and the fluidity of human experience. Through a series of flash memoir essays, Adams welcomes readers into her world, where moments of joy, grief, and self-discovery are intertwined. The recurring metaphor of the jellyfish acts as a symbol of adaptability and life's cyclical nature, reminding us that growth often comes from surrendering to change. The author’s prose is lyrical, weaving sensory details and vivid imagery into her storytelling. Essays like "A Jellyfish Origin Story" and "The Drift from Good to Bye" capture the bittersweet essence of childhood memories, while others, such as "My Jellyfish Journey Through Mental Illness" and "An Apology to the Bank Teller I Robbed Accidentally," confront the complexities of trauma and recovery.

The nonlinear structure of the collection reflects the fragmented nature of memory, allowing readers to experience the ebb and flow of Tracie Adams’s life. This approach adds depth to the narrative, with each essay serving as a snapshot within a larger mosaic. Her voice is personal, yet her stories are universal. Adams writes with vulnerability, inviting readers to confront their own unfinished journeys. Not Finished Yet reminds us that life is an ongoing process of becoming. Adams’s talent for finding meaning in the in-between spaces—the moments of drifting and waiting—offers hope and possibility. Her words encourage readers seeking inspiration to embrace their own cycles of growth and to find beauty in the unfinished.

Jamie Michele

Tracie Adams’ Not Finished Yet is a collection of essays that read like vignettes, each capturing moments of family and selfhood. In “Grandpa Is Nocturnal,” a childhood sleepover with her cousin reveals the unpredictable behavior of a grandfather whose drinking turns from rambling war stories to destructive rage, a danger met with silence the next morning. “Jellyfish in Love” traces the stages of Adams’ life through the metaphor of a jellyfish, recounting maternal bonds, marriage, miscarriage, divorce, and the reshaping of identity after loss. In “Rumors of War in the Land of Plenty,” she recalls wearing a prisoner-of-war bracelet as a child while reflecting on war, memory, and her grandson’s questions as a crop duster roars overhead. “Adrift” portrays a family trip on a houseboat, where imperfect conditions become enduring moments of shared memory.

Not Finished Yet by Tracie Adams is a wonderful collection and one of the most interesting formats of sharing one's life experiences I have come across in a long, long time. Every snapshot of life pulses with honesty. While difficult to select a favorite, I love “Birds of Paradise Lost,” where Adams cinematically captures Haiti, from bone-thin puppies wagging their tails to voices rising in song. The lines themselves practically sing on their own, reading, “As thought seeds grow through the spoken word, so will the change within you.” That moment with millet seeds, both humbling and unforgettable, is touching. Equally powerful is “When the Walls Come Down,” where grief arrives in the middle of drywall dust and unfinished renovations, carving its presence into daily life. The rawness of loss entwined with the quiet gestures of love is haunting yet beautiful, and the whole book is candid and impossible to set aside.